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THE
PEOPLE HAD SPOKEN
photos by Kristin
Callahan; essay by Nicholas Iacovino

The people had spoken.
The
range of voices had become distorted statistics. A few dissident sound
bites numbered the masses at 750,000 strong, though most reports totaled
the power of the people at a bit more than 100,000.
Irregardless
of the totals, the people had spoken. They had spoken with grace and
elegance, reverence and fervor, their patience mixed with hijinks, their
love and faith in tomorrow and beyond, whirling off the streets, a beatific
force, bouncing off the skyscrapers and reverberating across the Manhattan
skyline.

This experience of raw power and beauty led me to a question: When and
how do we learn to protest, to speak, to question?
Certainly
not from the most dominant news outfits of our time, Fox Networks and
MSNBC, with their bully pulpit shouting down of any opinion they deem
Un-American. It makes one beg for the gentle poetry of the original
Crossfire gang and the shrill presence of Pat Buchanan.
In
this new patriotic vortex, with its old glory stickers, pasted across
an anxious nation to distill its fears, exactly where do the children
learn the voice of protest and debate?
Certainly not from the man these children have been told is their leader,
George W. Bush, a man showing the world his contempt for debate.
Certainly
not from the Dubya Inner Brain, which would rather silence debate by
holding a nation in captive fear, with their flurries of unspecified
alerts, orange and red--ugly tactics in any arena.
Certainly
not from Mr. Bill O'Reilly or any of his cohorts. Perhaps from Charlie
Rose, though most tweens and teens are not avid viewers of PBS, though
they are rabid viewers of Television.
Certainly
from their families. Mine was amid talk of Sacco and Venzetti, their
murders at the end of a rope, spun into folklore in a young boy's mind,
right alongside Paul Bunyan and John Henry.

Certainly
from educators, like Mr. Russo, who would bring his folk guitar to my
elementary school and sing protest songs--my age showing, myself at
the final arc of the hippie era, age 41.
Certainly
from the youth's own underground network, one that every generation
possesses, where idea's and emotions of the young can blaze across a
nation, leaving their families whiplashed and dazed, some torn away
for good.

Certainly
from the society collective, this force of you and you and you and us,
a fountain of love, hope and faith, erupting across the midtown streets,
a power of the people, undeniable and not to be denied, a power of fury
and logic, letting itself be known to this time, to this new generation.
Nicholas
Iacovino is an award-winning screenwriter and filmmaker. His current
feature is High
Times PotLuck, which he co-wrote and opens in 2003. He has also
been featured in the Soft Skull Press reading series.
Kristin Callahan is a frequent contributor
to Rolling Stone, and her photographs have been published in Life,
Time, Newsweek, SPIN, and other magazines. Kristin
has also had numerous showings of her work in New York City. |