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THREE POEMS
by
Ernest Hilbert
Coronation of Sesostris
Shrine
of lunar hulls
Swayed to mist in river's hold
Or solar reservoir dried
To yolk and pollen,
Stroking
closed temples
Now fastened in flow,
As one ensnared and grappling
To retain so much impermanence --
As one
entombed
With swans
And novas, untranslated
And pinned by conflagrations,
Aimless
barge tangled in reeds
Bellying fragrant remains,
Figure aflame uncreated
In summoning sunblotch,
A father
enthroned and dying,
Hailing stars on doomed concourse,
As startles and drives
A vesselled glare long consumed,
Misspent,
annihilated in
This fish-like enclosure,
Processional distance,
A journey beneath celebration,
Circuit
or restoration
Of surge unlike departure,
Emperor's jubilee and
Manhattan in January stillborn,
Some gesture
of regret
Wounded annulus of early sun
Ringed processional through
Cloud to these scribbled lamentations,
Infant
and cold of white,
Earth once wept away
Until there will be
No light --
There
are sinkings
In the construction of the barge;
There are earths
Dragged broken from sun;
And what
filled the sun with
So many oarsmen or flowers?
There are kingdoms already
In morning scorching
Human
skin, bleached and
Wounded with landscape and sky,
Sustained and dilapidated
By the same beauty,
This sewer
and cesspit,
River and rotting vein --
This blood is sun-loss
And this blood our ship,
Last stain
of enlightenment,
Cast not underneath
But made terrible
In mirroring us.
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-- On
the mental conjunction of 1. Sarcophagus of Nectanobo in the British
Museum, 13th Dynasty, 345BCE, Alexandria; 2. Valley of the Kings,
outside Luxor, middle Egypt, and 3. Cy Twombly's sequence of canvases
Coronation of Sesostris, Gagosian Gallery Uptown, New York City,
January 2001 |
Ecstasy of St. Teresa
I listened to Bach for eight hours
After she left into snow,
Disappointed
with my library
And choice of whiskey --
She divested
my apartment
Of her hair, denuded it of form,
Her voice
and beauty --
Sauntered into late skies
Past breweries
that light
The city's edge with steam,
Leaving
me with bottles and my
Old skylight
And the
landlord banging on my wall
"You keep quiet now. You always
"Make
too much noise in there when
Girls come and leave."
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--On
Ecstasy of St. Teresa, Gianlorenzo Bernini, 1647-52 |
The Triumph of Death
Something
emerged against the horizon
Then drew away again. She lifted The Metamorphoses
And read. Nothing changed. She reclined
In the sunshine: those were the best days of my life --
Standing
on a corner waiting for him
To get off work and drive me home.
I always had too many windows open.
Someone took her place immediately and held out a camera --
He said
I don't know how the sky called us and I don't
Know how the river conducted itself open
I only know that no one could have called in your place
Your knowledge of rivers, your first, unguarded discovering.
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--When
composing 'Triumph of Death,' I had two images in mind: Francesco
Traini's 1342 fresco, and the much better known 1562 panel by Peter
Bruegel, both of that title |
Ernest Hilbert has appeared in LIT, Slope,
Verse, Fence, Pleiades, The Boston Review,
The American Scholar, and American Writing. He is the poetry
editor for Random House's online literary magazine www.boldtype.com
and on the staff of the Contemporary Poetry
Review. He received his doctorate in English literature from Oxford
university in 2000.
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